Muffins : Air Fiction
Note: They've fairly recently reformed after a gap almost 20 years long, and are very active - two new albums, a DVD and concerts, so catch them if you have a chance!
Fiction
mostly uncategorisable music, recommended and beyond. and some.
Largely forgotten classic of improvised music from 1976, credited to the Iowa Ear Ensemble but it's in fact more of a sampler - tracks from different sources, different combinations of musicians mostly non-related and collected from a lengthy timespan (1967-76) assembled together to make an organic whole. Not jazz, though it got max rating in Downbeat magazine, closer to the free spirit of the Tuscaloosa, Alabama scene of the time (Trans Museq, Blue Denim Deals, Raudelunas). A never reissued artifact from the time when musical experimentation was truly exciting and groundbreaking and also a great listening pleasure.
The self-released solo album of Chris Fraser (guitarist of Unrest, Work & Play) from 1989. Home recordings of songs, firmly in the great U,W&P style, slowly revealing layers of depth after repeated listening. All instruments & singing by Chris. No commerce, just sincere self-expression & talent. No one makes albums like this any more...
Mick Hobbs and a loose list of guests including Felix Fiedorowicz, Andy Bole, Cath Jauniaux, Tom Cora, Zeena Parkins, Georgie Born and the rest of The Work in 14 toe-tappers with arrangements ranging from complex chamber-rock to Incredible String Band influenced folk. And all things between. A couple of cuts with string-quartet backing. As idiosyncratic as you would expect from a gathering of such characters. You know the phrase: Pop music as it should be - meaningful, intelligent and entertaining. May i ask why this is not reissued yet?
Ok. This is what i've been waiting for. Went through some trouble finding this, gathering it finally from three different sources. An important addition to round-up the story of This Heat, guitarist (and more) Charles Bullen's first solo release from 1983. Six songs done by the man himself, lacking perhaps the sharp focus and intensity of Heat but compensating with added warmth and a more personal angle. Very dub influenced, showing also his interests towards more dance-hall oriented music.
After leaving the Homosexuals in 1981, the man of hundred pseudonyms, L.Voag (aka Amos) went into a creative overdrive, releasing about a dozen of solo/collaborative albums in the first half of the eighties, mostly ultra-rare hand-made cassette-only releases. For this one (and a couple more of cassette and vinyl e.p.'s) he teamed up with singer Sara and, as the title suggests, this may be their/his most accessible work and a good place to start investigating. Following this link you'll find a more recent very helpful and wonderful interview with Sara about those, but also more recent times. Just scroll down to fanzine #3 and find a download link. Great stuff,don't miss it! Amos is completely original and not sounding like anybody else, comparable only to early Residents in approach & excellence. Coloured-vinyl double 7" in hand silk-screened cover, later (or was it first?) released also on cassette with a lot of added material. Glorious lo-fi. Amos was also a member of the excellent Die Trip Computer Die crew. Finally, here is an archive save of a rare in-depth explanatory interview with the man himself about all things Homosexuals, solo, and everything else.
A stand-out in the vast sea of tribute albums, this is an Italian compilation of covers of Robert Wyatt songs. Some old names (Area, Battiato), some new ones (Christina Dona, CPI) and some lesser known ones, covering a good selection of the man's work from all stages, done with care and respect. Some covers got the 'modern' treatment, but it sounds ok. 18 songs in all and a lot of playing here. Featuring Wyatt himself with his own cover of an Italian song.
A collaboration between long-time pals Eroc, drummer of German prog monsters Grobschnitt and guitarist, instrument builder and inventor genius Hans Reichel, father of the daxophone. Originally i was pondering on putting up some of Reichel's 'usual' guitar and dax improv albums, but then, this one is for me way stranger than anything he ever did. For it contains some the most straightforward playing you'll ever get from the man. Rhythms with lots of guitar/daxophone and also some violin & accordeon overdubs. At times it sounds like some prog music gone wrong. Or something like that. It was originally released in '86 under the title Kino. Reworked a bit, renamed & two songs added ten years later for this CD reissue. Judging from the look on their faces on the cover pic, they had a great time making it...
Hellebore's only release, from '84. Sound firmly in the tradition of classic second-wave RIO groups. One of many groups guitarist and keyboardist Denis Tagu played in the 80's (the others were Look De Bouk, Toupidek Lemonade, Szentendre). All instrumentals. Similar to, say, Look De Bouk, the music is deceivingly effortless at the surface, moving from simple to complex and back with ease. Some other references could be Etron Fou, even This Heat. This is one of those albums that mature with time into hidden classics, personal favourites. Also sports one of the best covers of all time, courtesy of the Biota/Mnemonists visual department.
Kind of a super-group made of half of The Work (Tim Hodgkinson & Mick Hobbs) and half of Unrest, Work & Play (Andy Wake). Sounds exactly as a combination of these two great groups, with a very live, even punky sound. Urgent, demanding. This, their only release, is from 1989 just before the reunion of The Work for the Rubber Cage album.
A unique promo CD issued by Silvertone in 1990 to augment Peter Blegvad's beautiful King Strut album. Contains all kinds of wonders: songs, demos, interviews, jingles, jokes, rants even an explanation on the pronounciation of the Blegvad family-name, all mixed in a radio-work kind of way. Full length, 42 mins, assembled with the help of Andy Partridge. Witty and intelligent like everything by Peter.
The silent half of the French duo ZNR with a rare 33 rpm 7" issued by Recommended in '83. Spent a whole afternoon cleaning this one up (hope i haven't ruined it)! Short songs in usual tres charmant style with great arrangements, echoing Satie, show-tunes, etc... Racaille is a remarkable character, good news is that i've located some more of his rare solo releases, will post them all in the future.
This Checzh duo of singer/violinist (and actress) Iva Bittova and drummer extraordinaire Pavel Fajt caused a small sensation in European festival-circles upon their arrival in the late eighties with a beautiful mixture of poetry, folk elements and a distinct Checzh style of songwriting underlined by Fajt's subtle & inventive drumming style. Released in 1987, this is my favourite album by the multi-talented Bittova, who very quickly became a worldwide 'new music' star. She made a couple more albums with Fajt & the group Dunaj and has a pretty rich solo discography.
The good Dr.Chadbourne's early 1978's free-improv big-band extravaganza, after a couple of solo guitar albums. All-star lineup (they're all here: Frith, Zorn, Cora, Williams, Smith, Kondo, Ostertag, etc... all in all some 17 strong including our hero) that sounds like, well, Eugene Chadbourne. There is no one else like him.
In 1974, totally stressed out by the tiresome touring & general 'rock lifestyle' their signing with Virgin brought upon them, Faust took a one-year sabbatical to lick their wounds & regroup. In 1975 they gathered in Munich to record material for their next Virgin album. Or they thought so. Virgin by then didn't want to have anything with these troublemakers & cut the money flow. The group even ended up in jail (a first hand account can be read at the Wfmu's, also at the most excellent Faust site) and subsequently fell apart. So, there was no fifth album. But the advance promo tapes came out and that's what we have today as evidence of this great 'lost' album. And it's great, indeed. It's a shame this didn't came out as a proper release, for i think that it would stand shoulder-to-shoulder with the first two classic Faust albums. Anyway. There are several versions of this tape in circulation, this one i choosed to put up here for you is the basic promo-tape extended with some more material from the same sessions. About half of this was released in the late eighties by Recommended as part of the 'Munich & Elsewhere' compilation. Here is the whole thing, and more.
Arcane Device is a pseudo for sound/mulimedia artist David Lee Myers' project of 'feedback-music', music generated by interconnecting the inputs & outputs of several effects devices and shaped at the mixing board. So there are no 'real' instruments. It's a kind of 'no-input electronics' approach pursued by some of today's minimal/electronic musicians, only he pioneered it. But don't be frightened. This is enjoyable and posesses a rare purity of sound. Ghost music?